🔗 Share this article Decoding Zohran Mamdani's Sartorial Statement: What His Suit Tells Us About Contemporary Masculinity and a Shifting Culture. Growing up in London during the 2000s, I was constantly immersed in a world of suits. You saw them on businessmen hurrying through the Square Mile. They were worn by fathers in Hyde Park, kicking footballs in the evening light. Even school, a inexpensive grey suit was our required uniform. Traditionally, the suit has functioned as a costume of seriousness, projecting power and professionalism—traits I was expected to embrace to become a "adult". Yet, until lately, my generation seemed to wear them less and less, and they had all but vanished from my consciousness. A social appearance by the mayor in late 2025. Subsequently came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a closed ceremony wearing a subdued black overcoat, crisp white shirt, and a notable silk tie. Riding high by an innovative campaign, he captivated the world's imagination unlike any recent contender for city hall. Yet whether he was cheering in a music venue or attending a film premiere, one thing was largely unchanged: he was frequently in a suit. Loosely tailored, modern with soft shoulders, yet traditional, his is a typically middle-class millennial suit—that is, as typical as it can be for a cohort that seldom bothers to wear one. "The suit is in this strange place," says style commentator Derek Guy. "Its decline has been a slow death since the end of the second world war," with the real dip coming in the 1990s alongside "the rise of business casual." "It's basically only worn in the most formal locations: weddings, funerals, and sometimes, legal proceedings," Guy states. "It's sort of like the traditional Japanese robe in Japan," in that it "fundamentally represents a custom that has long retreated from everyday use." Many politicians "don this attire to say: 'I am a politician, you can have faith in me. You should support me. I have authority.'" Although the suit has historically conveyed this, today it enacts authority in the hope of winning public trust. As Guy clarifies: "Since we're also living in a liberal democracy, politicians want to seem approachable, because they're trying to get your votes." To a large extent, a suit is just a subtle form of performance, in that it performs manliness, authority and even closeness to power. Guy's words stayed with me. On the infrequent times I require a suit—for a ceremony or black-tie event—I retrieve the one I bought from a Tokyo retailer a few years ago. When I first selected it, it made me feel sophisticated and expensive, but its slim cut now feels passé. I suspect this feeling will be all too recognizable for numerous people in the diaspora whose families come from other places, especially global south countries. Richard Gere in the film *American Gigolo* (1980). Unsurprisingly, the working man's suit has fallen out of fashion. Similar to a pair of jeans, a suit's shape goes through cycles; a specific cut can thus define an era—and feel quickly outdated. Consider the present: looser-fitting suits, reminiscent of Richard Gere's Armani in *American Gigolo*, might be trendy, but given the cost, it can feel like a significant investment for something destined to fall out of fashion within a few seasons. But the attraction, at least in some quarters, persists: recently, major retailers report tailoring sales rising more than 20% as customers "move away from the suit being everyday wear towards an appetite to invest in something special." The Politics of a Accessible Suit Mamdani's preferred suit is from Suitsupply, a Dutch label that sells in a mid-market price bracket. "Mamdani is very much a reflection of his background," says Guy. "In his thirties, he's not poor but not extremely wealthy." To that end, his moderately-priced suit will appeal to the group most likely to support him: people in their 30s and 40s, university-educated earning professional incomes, often frustrated by the cost of housing. It's precisely the kind of suit they might wear themselves. Affordable but not extravagant, Mamdani's suits arguably don't contradict his proposed policies—which include a capping rents, constructing affordable homes, and fare-free public buses. "It's impossible to imagine Donald Trump wearing Suitsupply; he's a Brioni person," observes Guy. "As an immensely wealthy and was raised in that New York real-estate world. A status symbol fits naturally with that elite, just as more accessible brands fit well with Mamdani's cohort." A former U.S. president in a notable tan suit in 2014. The legacy of suits in politics is extensive and rich: from a well-known leader's "shocking" beige attire to other national figures and their notably polished, tailored sheen. As one British politician learned, the suit doesn't just dress the politician; it has the potential to characterize them. The Act of Banality and A Shield Maybe the key is what one academic refers to the "performance of banality", invoking the suit's long career as a standard attire of political power. Mamdani's specific selection leverages a studied modesty, not too casual nor too flashy—"conforming to norms" in an inconspicuous suit—to help him appeal to as many voters as possible. However, experts think Mamdani would be aware of the suit's military and colonial legacy: "The suit isn't apolitical; scholars have long pointed out that its modern roots lie in military or colonial administration." It is also seen as a form of defensive shield: "I think if you're from a minority background, you might not get taken as seriously in these traditional institutions." The suit becomes a way of signaling legitimacy, perhaps especially to those who might question it. Such sartorial "code-switching" is not a new phenomenon. Indeed iconic figures once wore formal Western attire during their formative years. These days, other world leaders have begun exchanging their typical military wear for a dark formal outfit, albeit one lacking the tie. "Throughout the fabric of Mamdani's public persona, the tension between belonging and otherness is visible." The attire Mamdani chooses is deeply significant. "As a Muslim child of immigrants of Indian descent and a progressive politician, he is under pressure to meet what many American voters look for as a marker of leadership," notes one author, while at the same time needing to navigate carefully by "not looking like an elitist betraying his distinctive roots and values." A contemporary example of political dress codes. But there is an sharp awareness of the different rules applied to who wears suits and what is interpreted from it. "This could stem in part from Mamdani being a millennial, able to adopt different identities to fit the situation, but it may also be part of his diverse background, where code-switching between languages, customs and clothing styles is typical," it is said. "White males can go unremarked," but when women and ethnic minorities "seek to gain the authority that suits represent," they must meticulously navigate the expectations associated with them. Throughout the presentation of Mamdani's public persona, the dynamic between belonging and displacement, insider and outsider, is visible. I know well the discomfort of trying to fit into something not designed with me in mind, be it an inherited tradition, the society I was born into, or even a suit. What Mamdani's style decisions make clear, however, is that in politics, image is never without meaning.